What actually happened at RAW CUTS Toronto?

RAW CUTS, the touring party series run on ticketing platform Nocturn, picked Toronto's The Bentway, the open-air amphitheater carved out under the Gardiner Expressway, for its first Canadian show on September 19. Doors opened at 3pm; Claude VonStroke closed the night at 8pm, following a bill that included Hilel Lev, RAW CUTS resident selector Bella Mutino and local DJ LockEight. The organizers billed him as "back from hiatus" and "engaging with the deeper and darker edges of his sound," a nod to the fact that VonStroke, real name Barclay Crenshaw, had stepped away from the alias in late 2023 to work under his own name.

Why would a headliner skip every other artist's records?

A normal DJ headline set is a mix: a few of your own productions stitched between other people's records, edits and the odd classic everyone in the room will recognize. Those shared reference points are what keep a floor moving when a set drags. VonStroke's Toronto set had none of that safety net. Every track traced back to his own studio, spanning a catalog that opens with 2000s Dirtybird-era wonk and runs through his newer, darker productions. It's a harder show to pull off: a DJ with twenty years of hits can get away with it, one without the depth of catalog cannot.

RAW CUTS didn't just book the performance, they turned it into its own release. The video above, "All Originals Set," frames the set as a career retrospective as much as a DJ gig, cutting between the music and VonStroke explaining where individual tracks came from.

What's actually in a twenty-year catalog?

The tracklist published on 1001tracklists runs close to thirty IDs long, and virtually all of them carry VonStroke's own name: early signatures like "Deep Throat" and "Chimps" sit next to "Barrump," "Eye I Eye" and "Walay (My Bae)," plus "Aundy," named for his wife and Dirtybird's co-founder and chief operating officer, Aundy Crenshaw. Stringing that many of his own records together for a single headline slot is as much a statement about Dirtybird's twenty-year run as it is about any single track.